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Attackback At Hate Caricatures Each of the six principal themes used to attackback in the case of slurs may be used here. For example, you could attackback at Norman Lear (producer of All In The Family, a sit-com designed to defame the diverse white blue-collar urban workers) in this way: "Norman Lear exposed himself as a bully, a hater, and a liar when he showed us his own mental hate caricature of Archie Bunker." Every hate caricature of young and old white Americans smothers their richly-textured diversity, their continental origins (Europe), and their nationality (American). Sometimes
the actual hate caricature is an invitation to maim or murder the diverse
white Americans and this should be condemned in the strongest terms. CASE
STUDIES OF EXAMPLES: George Will referred to Archie Bunker as though Bunker were a real person in Will's TV appearance ("This Week With Christiane Amanpour") on Sunday, 9/18/11, saying, "Archie Bunker lived in Queens" by way of explaining how a Republican won in that congressional district. Yes,
neither national Democratic spokespersons nor conservative pundits reject
hate caricatures of the diverse white blue-collar American workers. But
then, neither do Republicans, Libertarians, Socialists, human rights activists,
or any of the other persons in our multiracial society who claim that
they are intolerant toward what they consider hate speech. Cracker - This is a food-based hate caricature against white Euro-Americans similar to "white bread"; a claim to supremacy over the diverse white Americans. It is a dehumanizing hate caricature. See Al Sharpton explain cracker and redneck. Begin at 50 on video. Politico and Chuck Todd agree that cracker is okay for dignified usage on 1/31/12. See the casual use of this slur on video. See bigoted Bill Maher call for a "Saint Cracker's Day." This is fresh hatred broadcast on 3/17/12. As
of 3/26/12, cracker
has been expanded to include Hispanic Americans. Mayonnaise and white bread were sarcastic "joke" terms used to denigrate the diverse white Americans, originating on the Dick Van Dyke TV situation comedy. The
Los Angeles Old White Guys - Not satisfied with the freedom claimed by Democratic officeholders to slander the diverse white European Americans, Republicans have horned in on the hate caricatures. Former Republican Florida Governor Jeb Bush delivered himself of "old white guys," published in The Atlantic Monthly in its 12/2/08 issue as follows: "(Jeb) Bush, in an interview with Newsmax this week, said that the GOP risked becoming 'the old white-guy party.'" Apparently this was based on a Newsmax interview published 11/30/08. This certainly proves that the diverse Euro-Americans can expect no voice to be raised by Republican officials to protest slander and slurs against the diverse white American peoples. And Jeb Bush did it again on 1/14/11 in public. See him express his loathing of diverse older white American men. WASP - This is an insect-based racial, ethnic, and religious hate caricature for all the diverse white Euro-Americans. It is similar in nature to the term WEJ (White European Jew). It is a dehumanizing hate caricature. Andrew Hacker, a self-loathing and white-hating writer, was the first to use the WASP hate caricature in 1957. There is confusion about first use because haters have written about the twenties and thirties and used WASP falsely as though it were current at that time. Chris Matthews, East Coast TV personality, endorses its use in polite company. Matthews labels Mitt Romney as "WASPy" in this 6/3/11 video. Matthews was attacking Romney for referring to Obama's policies as "European" which we learn is a slur according to Matthews by Romney against Obama. And Matthews trumps himself by using a slur ("nativist") to refer to Republicans. Matthews has a lot of barely-wrapped hatreds running loose in his body. White Bread - A food-based hate caricature often seen in connection with "mayonnaise." It is a dehumanizing hate caricature. Republicans are horning in on the anti-white narrative in the person of former Republican Chairman Michael S. Steele who was reported on Politico on 12/9/08 as saying The Republican Partys strength comes in many forms and many hues. We have to understand now its not all white bread. To have the unrebutted hate caricature of "white bread" hurled by a former Repubican Lt. Governor of Maryland while he was the chairman of the National Republican Party tells us what the status of white Americans in that political party is as loudly and clearly as anything can. White Flight - A hate caricature by the dominant media culture intended to mask the pushing away or ethnic cleansing of white American residents, students, or employees from homes, hometowns, schools, and places of employment. The urban-coastal Wall Street Journal used "white flight" in a very hateful way to smear the diverse white American students in Cupertino, California, schools in a 11/19/05 article written by the supremacist Asian American Suein Hwang to make European American students into the problem, not the Asian American immigrants. And the theme was picked up by the San Jose Mercury News in a hate story on 2/22/06 which savored the taste of white-bashing by the WSJ. In another example, the San Jose Mercury News, in a 12/10/06 article describing departures from California, referred to Hispanic American departures as a "Latino diaspora" and in the same paragraph characterized European American departures as "white flight." That is, the dominant media culture is well aware that "flight" is a hateful reference. Somehow "flight" is never associated with refugees from Vietnam, students from India and China, or vast migrations from Mexico. Wonder
Bread - A food-based hate caricature; and a dehumanizing caricature. ========== Example
of photographs that portray hate caricatures Examples of films that portray hate caricatures Two of the most prominent hate caricature films were produced during the end of World War II, and marketed in 1947. A bitterly ironic aspect of both films is that urban-coastal film critics somehow fail to "notice" the hateful nature of the films. One was "Gentleman's Agreement" which had the sole purpose of smearing the diverse white Euro-American taxpayers, voters, workers, and leaders who maintained steadfastness in fighting World War II. It was a vicious thank-you note to all the diverse white Americans for their sacrifices in World War II, and it didn't take long to deliver. The second was "Crossfire" which had the sole purpose of smearing diverse white American soldiers on their return to the USA after World War II. By portraying returning diverse Euro-American soldiers as evil creatures, it became a horrifying and hateful thank-you note to all returning white American veterans. [The same technique of characterizing returning diverse white Euro-Am soldiers from undeclared wars in Asia as wannabe terrorists blossomed again in America throughout 2008 and 2009. The script appeared to be, "You go, fight for them, and die. If you come back alive, however damaged, we will seriously defame you as a potential terrorist."] Both films are classic agitprop examples of anti-white American deceptive, divisive, and disparaging hate caricatures. That they were produced during the waning years of World War II is powerfully informative if readers have the insight to understand that the slogan ("Save the American Way of Life") which was advertised so strenuously during the war was just a Big Lie. Emerging Awareness The diverse white American peoples are slowly emerging since 2010 from a 50-year-old stupor, during which they applauded depictions on TV and the silver screen that slyly portrayed them as the vilest people on the planet. They believed hoaxes like "black churches burning" and the "March on Skokie" which was led by a man named Francis Cohen who, after stirring up hate and fear on all sides, held a picnic with his six followers in a neighboring town. A few years later, Francis Cohen was sentenced to a state penitentiary for molesting children, apparently a man for all seasons. Someday, let us hope sooner than later, Hollywood will be recognized as a massive anti-white crucible that it has been since WWII in its hate and smear films promoting the anti-white narrative. Hollywood hasn't ended its campaign against the diverse white Americans. Its offering in 2011 was "The Help" dating back 60 or 70 years when white ladies could be freely portrayed as viciously abusing black maids in the Deep South. The African-American maid did sue the author of the book on which "The Help" was based which portrayed her as serving human feces to her employer! Unfortunately the judge in the law suit dismissed it having been filed too late. Hollywood's effort in 2013 was an entirely fictitious racially-biased drama starring the queen of false racial accusations against Swiss clerks, Oprah.
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